Decoding the New York Mayor's Sartorial Choice: What His Suit Reveals About Modern Manhood and a Shifting Culture.
Growing up in London during the noughties, I was always surrounded by suits. They adorned City financiers hurrying through the Square Mile. They were worn by dads in the city's great park, kicking footballs in the evening light. At school, a cheap grey suit was our required uniform. Traditionally, the suit has functioned as a uniform of seriousness, signaling power and professionalism—traits I was expected to aspire to to become a "man". However, before recently, people my age appeared to wear them infrequently, and they had largely vanished from my mind.
Then came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony dressed in a sober black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captured the world's imagination like no other recent contender for city hall. But whether he was cheering in a hip-hop club or attending a film premiere, one thing remained largely constant: he was almost always in a suit. Loosely tailored, contemporary with unstructured lines, yet traditional, his is a typically professional millennial suit—well, as common as it can be for a generation that seldom chooses to wear one.
"This garment is in this strange position," says men's fashion writer Derek Guy. "It's been dying a slow death since the end of the second world war," with the real dip arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal settings: marriages, funerals, to some extent, legal proceedings," Guy states. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long ceded from everyday use." Many politicians "don this attire to say: 'I am a politician, you can trust me. You should vote for me. I have legitimacy.'" But while the suit has historically conveyed this, today it enacts authority in the hope of winning public trust. As Guy clarifies: "Since we're also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of performance, in that it performs masculinity, authority and even proximity to power.
This analysis resonated deeply. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer a few years ago. When I first selected it, it made me feel sophisticated and expensive, but its tailored fit now feels outdated. I imagine this feeling will be only too familiar for many of us in the global community whose parents come from other places, particularly global south countries.
It's no surprise, the everyday suit has lost fashion. Similar to a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore characterize an era—and feel rapidly outdated. Consider the present: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something likely to be out of fashion within five years. But the appeal, at least in some quarters, endures: in the past year, department stores report tailoring sales increasing more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something exceptional."
The Symbolism of a Mid-Market Suit
The mayor's go-to suit is from a contemporary brand, a European label that sells in a moderate price bracket. "He is precisely a reflection of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will appeal to the demographic most likely to support him: people in their thirties and forties, university-educated earning professional incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits plausibly don't contradict his stated policies—such as a rent freeze, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits seamlessly with that elite, just as attainable brands fit well with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "shocking" beige attire to other world leaders and their notably impeccable, custom-fit appearance. Like a certain British politician learned, the suit doesn't just clothe the politician; it has the power to define them.
Performance of Banality and A Shield
Perhaps the key is what one academic calls the "enactment of ordinariness", invoking the suit's long career as a standard attire of political power. Mamdani's particular choice taps into a studied modesty, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't neutral; scholars have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of protective armor: "I think if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might doubt it.
Such sartorial "code-switching" is not a new phenomenon. Indeed historical leaders previously donned three-piece suits during their early years. These days, certain world leaders have begun swapping their typical military wear for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the tension between insider and outsider is visible."
The attire Mamdani selects is highly significant. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under pressure to meet what many American voters look for as a sign of leadership," notes one expert, while simultaneously needing to navigate carefully by "not looking like an establishment figure selling out his non-mainstream roots and values."
But there is an sharp awareness of the different rules applied to suit-wearers and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, skilled to adopt different personas to fit the situation, but it may also be part of his diverse background, where code-switching between languages, traditions and clothing styles is common," commentators note. "White males can remain unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must meticulously navigate the codes associated with them.
In every seam of Mamdani's public persona, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the awkwardness of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is never neutral.